Grace the Mace

Driving Forces

I learn more about my characters by letting them hang out in my real life, even if it’s nothing like their own world.

Dalvin, for instance, likes to blare pop rock music and take the wheel when we’re in the car. She’s a surprisingly competent driver, for a girl from a world in which mills and magic are the height of technological advancement.

When I ask her why she likes it so much, she answers, “It’s a lot like battle, isn’t it? One wrong move and you’re dead or injured, and there’s nothing for it but to let your body outpace your mind and do what you’ve taught it to do. It’s very relaxing.”

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Relaxing? To think that you’re one wrong move away from injury or death? I certainly don’t want to think of driving in that light… How on earth do you find your looming mortality relaxing?

Rarely interested in self-reflection, she only shrugs. “Everything’s too immediate to be fussed with thinking about it. I don’t like thinking.”

Huh. That’s an odd thing to say. Why don’t you like thinking?

She gives me a dirty look. “I don’t know,” she says slowly. “Do you want me to think about it?”

Ah. Looks like I’ve used up her introspection for the day.

*****

Check out Grace the Mace

In which Dalvin is forced not only to fight for her life… but to think about it.

We’re Mostly Mad Here

I was standing at the stove with my friends lounging around me as I poured pasta into boiling water, laughing at an exchange between Will, Sy, and Gilbert, when a sudden worry flashed through my mind.

How am I going to feed so many people with just one box of mac-‘n’-cheese? I frowned.

Then sanity resurfaced, and my face went red as I realized it was just me and my best writer friend Danielle standing in the kitchen. The hilarious Will, Sy, and Gilbert were our characters and muses.

I revealed my lapse in mental acuity, and they laughed at me—three imaginary, one present on the common plane of reality, and all four mocking my madness.

That's right, keep laughing at the chef. That will never have any consequences.

That’s right, keep laughing at the chef. That will never have any consequences.

But this madness—while entirely laughable—stems from a very important part of my writing process: taking my characters seriously.

Now, you don’t have to slip that far down the rabbit hole to be a good writer. But whether or not you consider your cast to be real, you must consider them valid.

Even if you think your characters to be players in your plot, not friends hanging out in your kitchen, their truths (not just their mutable facts) must be given due consideration. Avid readers can smell a cardboard cutout character an aisle away. Even side characters are better for having an underbelly. Even if it’s never shown in the story you’re telling, it will influence the visible surface, lending depth and truth.

Writing Grace the Mace, I considered the forces that had formed each character, and the impact each one would have on the others–in shaping, motivating, and provoking.

Nowhere is this more evident than in the title character herself. Dalvin Grace is shaped by two opposing forces—her mother, and the rest of the world. She resembles both her caring mother and her cruel environment. She resents both her “weak” mother and the buffeting world of the Great Graves mountain nations. Her feelings are spurred by—you guessed it, both her mother, and the world around them.

Had I treated Grace as simply a cog in my plot, I might have decided that she would defend her mother—another cog, a porcelain figure in maternal damsel-ish distress, serving the plot much as love interests commonly serve. That would have left me with an action-adventure novel that read much like an old, two-dimensional video game. However elaborately I plotted the “levels,” the main character would move through them, and collect the prize—mother’s safety—at the end.

But Weylah, the mother, is a valid person in her own right. Sweet, feminine, naive, and near-magically buoyant—those facts I knew from the first brush. I delved beyond the ultimate image of maternity, looking for personhood behind those soft, amber eyes. I asked a lot of questions. What were her fears? Regrets? Strengths? Worst memories? Doubts? Faiths? Worldview?

I can’t say a bell rings in my head at the precise moment a character goes from being an idea to being a person. But usually, the change is near the moment I understand their deepest, greatest why. Writing is an art, not a science, and the artistic process is never entirely predictable, but if they haven’t made that transition from pile of facts to true person, I know I’m not finished. If the people aren’t true, neither is their story.

If I didn’t understand Weylah, I wouldn’t understand the unique tensions between the flowerseller and her mercenary daughter, and how the push-and-pull of that relational tide shapes Dalvin’s very existence, for better and for worse—and for the plot.

Some authors are of the opinion that characters only serve the plot. But characters known in their own right will serve a plot far better than dress-up dolls sewn for the part ever could.

People are the heart of any story, and if you don’t write it with pumping blood, the best you’ll ever get is the interesting corpse of an idea.

You hardly need to go so far as to mistakenly make dinner for five, but a character that inhabits a writer’s head is, of course, that much more likely to stick in the head of a reader.

I think of fiction as a happily catching madness.

*****

If you’d like a disgruntled, paranoid mercenary rattling around in your head,

Check out Grace the Mace, available on Kindle in paperback.

 

 

 

Less Than True, Greater Than A Lie: Writing what your characters think vs. what they do

Have you ever created a scale of values for your characters?

Grace the Mace would say hers looked something like this:

Strangers < Friends < Comfort < Pride < Ambitions < Survival < Mum

The truth, interestingly enough, looks a little more like this:

Comfort < Strangers < Pride < Survival <Friends < Ambitions < Mum

The differences between a character’s self-perception and their true values is often as telling as the scale itself.

That said, it can be tricky to portray a difference between perceived values and actual values within your writing, especially in first person or third person close. The narration must strike a balance between being true to the truth, and being true to the character’s perception of the truth.

The best way I’ve found to stick to both sides of the story at once is to set the opposites right next to one another—as I did with Dalvin’s coin and discourtesy in this passage, and again later with one of my favorite lines in the book:

Dalvin scowled, dug in her purse for a silver dragon, and flung it at the girl. “Get a pair of shoes, and stop being such a worthless friend.”

Grace constantly outs herself by what she’s willing—and unwilling—to give up. While neither her words nor the narration will admit to it, she proves her scale of values again and again by what she sacrifices.

Of course, the same can be done with a character who thinks themselves benevolent or benign, and proves, without a hitch in the narrative’s self-assurance, to do entirely cruel or thoughtless things. One need look no further than The Children of the Light in The Wheel of Time, The Shepherdess in The Legend of Eli Monpress, or Eli Ever from Vicious to find characters of that stripe.

These sorts of internal discrepancies are not just allowable in fiction, they’re to be expected! Cognitive dissonance is a very real part of the human makeup, and a character with impeccable self-perception is an incredible rarity—and I’m not just talking about the female lead who thinks herself plain or ugly when everyone else considers her gorgeous. Don’t take your characters’ word on who they are and what they value. See what they sacrifice when push comes to shove—and let the reader see the truth for themselves.

What do your character’s value scales look like? Do they know themselves as well as they think they do? Leave a comment!

*~*~*~*~*~*~*~*

Bonus scale:

The values of Weylah, the Mum in question, would go something like this:

Comfort < Pretty Things < Plants < Animals < Strangers = Friends = Lovers = Family

Her self-perception… doesn’t exist. She’s like the opposite of a narcissist. When she reflects, it’s never on herself except in terms of how she could better serve her values–i.e., people.

*~*~*~*~*~*~*~*

Grace the Mace now available for sale on Kindle and in paperback.

 

Grace the Mace: Now Released!

Grace has always been there for her mother, ever since she was old enough to bite the legs of those thugs and leeches that called themselves lovers. Ever since she was old enough to understand the world in a way her mother never would.

Now, she comes home every winter with blood money from a year of running with a band of sellswords. No more scrounging in midden heaps and cutting purses for a low court lord to survive the lean months.

But this year, home is as dangerous as the battlefield. Tensions are running through the street courts of her old slums, while a new and daunting lover has confounded her safeguards and gotten at her mum–and now they’re all tangled in a vicious turf war.

Is one lone mercenary enough to protect her own? Can she trust anyone else to do the job?

Grace the Mace Cover

Now available for $2.99 on Kindle and for $5.99 in paperback!

My Five Favorite Things About This Book

(Sans Spoilers)

1.  I finally get to introduce a bit of the world I’ve been building for the last eight years! This isn’t the story I expected to be sharing first–I thought that would be Sy’s story, Ever the Actor, but the story and world grew so complex, with each new draft trying to catch up to my latest revelation, that I had to take a step back from the manuscript. What better way to do that than to write an entire novella set over two centuries earlier in the same world?

2. Grace herself. She was an enigma of a character for several years, angrily stewing in the back of my mind. When I finally unlocked her, I was delighted by her (often hilarious) contradictions–chill and passionate, self-serving and selfless, stubborn and flexible, cruel and kind. It’s been a fun challenge, trying to show the truth of her dual and tangled nature throughout the narrative.

3. The swearing. That girl’s got the most interesting, varied, and versatile curses I’ve ever heard, borrowing indiscriminately from the filthiest sentiments of four different cultures. All my other characters have been pretty basic– “Chance damn it,” and “Seed of man and beast!” and “Early frost, woman!” and “What complete rot,”–but this chick’s on a whole new level.

4. The cover. Yeah, I’ve got to admit, one of my favorite things about my book is the picture on the cover. The sum total of my contribution to the cover was, A, a detailed commission request, and B, the all-too-necessary but faintly detracting addition of the title and author’s name. The talent behind the art is DarianaLoki… But I spent a whole other post gushing about that!

5. It’s a book I’d want to read. I’d enjoy the characters, the voice, the themes, the plot, the setting… It can be hard to step back and look at a work objectively after months spent immersed within it, but evaluating it as accurately as I can… I think Reader Me would love this even more than Writer Me. That’s partly because Writer Me has an anxious ego at stake, but mostly because this is exactly the sort of content Reader Me pores over shelves in search of. And that, my friends, is sweet success.

My Five Least Favorite Things About This Book

(Sans Spoilers)

1. It’s got hardly any magic, so I don’t get to show off my awesome system! Bah!

2. It’s a little tough to categorize. My instinct is to call it fantasy, but I don’t want people thinking there’s more magic and mythical creatures in it than there are. But they’re there! They’re just… fringe. But it’s still got a very fantasy world feel. Should I call it Fantasy Lite? Diet Fantasy? Low-Mana Fantasy?

3. It’s a novella! No hate to novellas, but I’m more of a novel fan, and I was sort of surprised when it didn’t come out longer. Still, I’m not going to force it full of fluff to fulfill some arbitrary page-count ideal in my head. She is what she is.

4. Oh, this had me banging my head against a wall: trying to write dialogue for a major character who’s reluctant to say anything. At all. Who has a lot to say, but likes to talk like a minimalist, if he must be more than a mime. Oh my gooooooosh. Just taaaaaaalk like everybody else, man. But! That struggle is in the past. I think I found the balance for him to express what had to be expressed without violating the truth of his character.

5. Writing blurbs and short pitches for it! Trying take the central themes (“Uh, sacrifice, mommy issues, bitterness, and trust?”) and the more concrete aspects of the story (“Oh, lots of snark, warriors doin’ macho stuff, ye olde inner city gang wars, death and struggle, some sex, some flowers, and tense family dinners,”) and fit them together–and to do it in two to four tight paragraphs? Impossible. But that’s ever my aim, nonetheless.

Now available for $2.99 on Kindle and for $5.99 in paperback!

I look forward to hearing about your five favorite–and yes, even your five least favorite–things about Grace the Mace!

Excerpt I

Excerpt II

Excerpt III

 

Grace the Mace: Cover Reveal!

Grace has always been there for her mother, ever since she was old enough to bite the legs of those thugs and leeches that called themselves lovers. Ever since she was old enough to understand the world in a way her mother never would.

Now, she comes home every winter with blood money from a year of running with a band of sellswords. No more scrounging in midden heaps and cutting purses for a low court lord to survive the lean months.

But this year, home is as dangerous as the battlefield. Tensions are running through the street courts of her old slums, while a new and daunting lover has confounded her safeguards and gotten at her mum–and now they’re all tangled in a vicious turf war.

Is one lone mercenary enough to protect her own? Can she trust anyone else to do the job?

*****

Now to meet the face of the franchise, a word I here use in its loosest sense:

Grace the Mace Cover

My thoughts, numbered, but in no particular order:

1. Give me those boots. Give them to me. And throw in that breastplate while you’re in a generous mood.

2. I feel like if you zoomed in on the shield and enhanced, you could spot the photographer. (You can’t. I tried. The CSI shows lied.)

3. YES. That’s my girl, alright. That’s her attitude, all over her face, which is totally her face! Maker take her, what a bitch! 😀

4. Ooooooh, colors and lighting and framing! Ooooh, stone textures! Yeah background!

5. This art is way better than most fantasy cover art. Imma be real; most actual paintings (not talking about the airbrushed photos) on fantasy covers look kind of… weird. Someone’s face always looks stupid, some basic physical proportions are always off. Not here. Not with this. This baby is perfect.

6. A thousand and one thanks to DarianaLoki, the artist responsible.

Grace’s thoughts:

1.  “It’s a good likeness.”

2. “My gear isn’t horribly misrepresented. Thanks.”

3. “What, am I supposed to come up with six things, too? It’s nice. It’s good. It’s, what’s the word, professional. What do you want?”

Guess I’ll have to rustle up three more thoughts somewhere else.

Grace’s Mum’s thoughts:

4. “Oh, what lovely work! Isn’t she beautiful? And so… fierce-looking.”

5. “Are those chrysanthemums? I can’t tell, but they brighten the place up nicely, don’t they?”

6. “Grace isn’t in… trouble, is she?”

Ohhhh, my sweet summer child.

*****

Excerpt I

Excerpt II

Excerpt III

 

 

Grace the Mace excerpt III

Grace has always been there for her mother, ever since she was old enough to bite the legs of those thugs and leeches that called themselves lovers. Ever since she was old enough to understand the world in a way her mother never would.

Now, she comes home every winter with blood money from a year of running with a band of sellswords. No more scrounging in midden heaps and cutting purses for a low court lord to survive the lean months.

But this year, home is as dangerous as the battlefield. Tensions are running through the street courts of her old slums, while a new and daunting lover has confounded her safeguards and gotten at her mum–and now they’re all tangled in a vicious turf war.

Is one lone mercenary enough to protect her own? Can she trust anyone else to do the job?

*****

Grace the Mace – Excerpt III

The track became busier, people from the outlying farms and villages trotting towards or away from the city, sometimes with horses, mules, carts. Farmers working to bring in their harvests looked up at the mercenaries, giving them the flat stares of folk used to strangers, but no less wary for their familiarity. Dalvin nodded and waved to them, smirking at the narrowed eyes she got in return. Like a fearful waterfall. Well should these serfs and civilians fear her.

As they drew up to the city walls, somewhat impressive shrines dueled on either side of the city entrance, one an ornate well to Old Man Chance, the other, with the brass motif of Unicorns in obeisance, an altar to the Maker. Vec reached in his purse for a pair of Yaa copper pups, skillfully slinging one into the center of each.

“Hedging your bets?”

“I prefer to play it safe, when it comes to forces beyond the blade,” the man said, rubbing at his stubble. “If a copper will sate ‘em, why not try it?”

Grace snorted. “I play it safe by keeping my coin to myself,” she said, patting her own purse.

“It’s only a couple of coppers.”

She shrugged, letting the matter fall as they drew up to the gate guards. The greensmen on duty eyed them suspiciously up and down, calling for them to halt, herding them to the side. Dalvin smiled tightly, slowing to a stop and spreading her arms away from her body, letting her cloak open up to freely reveal her leather armor and the mace-and-chain. She met their eyes, challenging.

Von officers hated to let mercenaries into their cities, but for all the trouble they caused, they brought too much revenue to the taverns, inns, and brothels for the cities to afford turning them away. The two in front glowered and questioned them about where they’d been, where they were going, and how long they intended to remain in the city. A third stalked around behind them, looking them up and down.

Her pride blistered as Vec answered, but these were gate guards. What do you think you’ll find—weapons? Dalvin wanted to say, but held her tongue. Besides the lead-cored batons carried by regular patrol officers, these also bore nasty blackwood staves, for dealing with anyone with swords, spears, or polearms trying to rush the gate. It was their right and their responsibility to ensure that the armed parties that entered their cities were not at that time under the employ of enemy nations, and to see that suspicious numbers of them didn’t enter at a time.

Dalvin’s stomach rumbled as the interrogation continued, and standing still with her cloak hitched back over her shoulders and her hood down, the chill started working through the layers. Her smile turned to a bare-toothed grimace, and one booted foot began tapping against the earth. If they kept her here until she started shivering, she’d—she’d—well, she’d continue to grimace at them and otherwise do nothing.

At last—after Vec said for the fifth time that they were heading home for the winter, told the name of their band, that they’d come from Nor’Hiymar, that they were headed to Urynad and Southhold respectively, that they intended to remain two nights in the city—the von waved them through. One swept his stave as she passed, swatting her rear with a loud crack. The others snickered as she kept her face smooth of a wince, her hands seizing into fists to prevent them from reaching for her flail.

She waited until they turned the corner, then snarling, she reached back to touch the broad welt. “Rot-spawned, seedless, plague-ridden midden heaps,” she snarled, loud enough that several passers-by glanced at her in surprise, but not so loudly that the gate von would hear. “I’d like to shove those greenies’ staves through the brains in their assholes. Chance’s Ill Daughter and a goat, that hurt!”

Vec gave her an amused look. “I’ve seen you take worse in sparring without grousing with such a concentration of obscenity.”

She only growled, her cheeks flushed. It wasn’t about the pain. Well, it was halfway about the pain. It was the insult of it, and her inability to answer the insult. It was infuriating to know she could likely have clobbered any one of those men senseless, but to be barred from the brawl by their greens and the medals of office on their chests.

“Calm down.” Vec tried to sling an arm around her shoulder, but she sidestepped. “Come now, Grace. I know the von are a bitter brew to swallow, but you simply must let it go.”

Of course she did. Because they were too powerful. However strong she got, there were still, there were always those that were too powerful. Too connected. The greensmen in each city reported only to the city’s lord, which reported only to their high court and king. Who was a mercenary in all that?

As she stewed, a skinny youth darted across their path, stumbling against Dalvin and muttering a hasty apology before darting into a side alley.

A surge of energy jolted through her, and, silent, she lunged into the shadows after him. An outlet for her rage! Her hand closed on his shoulder and she spun him around, slammed him back against the wall, and covered his mouth with her hand. They were of a similar size, but she had lean muscle where he had slack skin over thin bones. She caught his knife hand and stripped the blade from it, not caring that she nicked her fingers, and flung it into the recesses of the alley. She rammed an elbow up into his sternum, then reached for the purse he still clutched in his other hand.

As she yanked it away from him, he sagged, going limp in her hold. She growled, looking at the sliced leather cord. The reparation would cost her. She pinned it under her arm, her hand going to seize his throat. She squeezed and lifted, glaring as he looked back at her with hopeless eyes.

“Weak,” she growled. “You’ll never get anywhere without some fight in you.” She spat and released him, and he sank down against the wall, cringing. “Fire and famine. You’re not worth two copper pups,” she told him, pulling open the mouth of the purse and fishing out two of the coins. She flung them at his feet. “You can’t just give up when it’s all gone to rot. You’ve got to look for the salvage. Maker take it, man, you’ve got to want to survive.”

She took out another coin and scraped it against a buckle, then checked its edges. It would be a fine thing, giving a speech like that, to later find that he’d switched her purse for a pouch of coin that was shaved or painted.

“Idiot,” she told the cutpurse, who hadn’t moved. “What are you lying there for? Think you’re getting anything else off me? Scat, thief.”

Grabbing the pair of coppers, the cutpurse ran, scrabbling to snatch up his knife as he did. Grace glowered after him, shaking her head. “Some people don’t deserve to live.”

“But you gave him—”

The girl whirled on her fellow-mercenary, who’d followed her down the sideway. “Shush. Not in the mood, unless you’re telling me those von are behind us on bended knee, offering me their skulls to crack. Let’s resupply, then get smashed. I want to leave first thing after my hangover in the morning.”

*****

After talking about other people and their works for as long as I have, I’m not sure how to say this, but…

It’s mine! That’s the work of Tirzah Duncan, my own self. That’s the from my novella. Here’s the opening.

Now Available! 

Headshot_Ireland

Grace the Mace – Excerpt II

Grace has always been there for her mother, ever since she was old enough to bite the legs of those thugs and leeches that called themselves lovers. Ever since she was old enough to understand the world in a way her mother never would.

Now, she comes home every winter with blood money from a year of running with a band of sellswords. No more scrounging in midden heaps and cutting purses for a low court lord to survive the lean months.

But this year, home is as dangerous as the battlefield. Tensions are running through the street courts of her old slums, while a new and daunting lover has confounded her safeguards and gotten at her mum–and now they’re all tangled in a vicious turf war.

Is one lone mercenary enough to protect her own? Can she trust anyone else to do the job?

*****

Grace the Mace – Excerpt II

Cresting a rise, Dalvin called for a rest. Stepping to the wooded side of the path, she cast about for a rock or log to sit on. Selecting a moss-covered lump of firm but indeterminate nature, she sipped from her water flask. Vec leaned against a tree nearby, studying the terrain ahead of them.

Their path wound down between lower foothills, with grasslands sloping to the east, and rocky woodlands rising to the west. The path, its track either faintly visible or painted by Grace’s fancy, rose up through a multi-green patchwork of farmland, then to a walled city, dark on its hilltop.

She breathed in deeply, and the open mountain air smelled sharply of conifers and matted late-autumn leaf litter, of the grasses to the left of their path, of good earth and damp stone and the age of the hills themselves. She didn’t mind cities, with their closeness, commerce, and crowds, but they smelled worse than a soldiers’ camp: stale with the stain of humanity.

Even so, she didn’t mind occasionally trading the freshness for walls and a real mattress. She studied the city in the middle distance. “We’ll make that by, what, early evening? Early enough to resupply and still have plenty of time for drinks and dice?”

Vec looked up at the sun, two hours past its zenith. “If we’re brisk, and if you don’t dally here.”

She took one final swallow and stood, shifting her pack’s strap from one shoulder to the other. “Let’s haul.”

They were still several days north of Urynad, but they’d started early enough to keep ahead of winter’s onset. Grace’s back and shoulders ached under the weight of her pack, its strap digging into her shoulder and chest. Her face and hands stung with cold, and her feet ached in spite of a good pair of boots. Wish I had a horse, she thought, stretching with a sigh. Or at least a pack-mule. She’d been taught how to care for either, and even knew a bit of her way around mounted warfare, but she wasn’t even close to having the money for any such thing.

Even so, she grinned up at the birds that flew in wedge-formation, arrowing their way to warmer lands. The day was crisp and beautiful, her body was young and strong and hale, she’d eaten breakfast and lunch and marched now towards drinks and dinner. Mounts and packhorses or none, hers was about as good a life as any but nobles and merchants could expect.

Vec let out a gusty sigh as they reached the lowest point, his eyes tracking up over the foothills before them.

“Tired, old man?” Dalvin grinned across at him. “Need me to take your pack?”

He snorted. “I wouldn’t say no. But nay, I’m just not looking forward to going home. Don’t mishear me; I like walls and a hearth in winter as much as the next fellow. Even the herbs that old woman stinks the place up with aren’t so bad after a few days, and she can patch up a fever right well enough, which is a boon.” He made a face. “She’ll just be expecting me to go to market for her, and gather any winter herbs, and take care of the firewood. And I’m not looking forward to any winter babes. You’d think people would want to bear their children in the comfort of their own home, but not everyone does. All that, and the only pub of any real size is a two hours’ walk from our door.”

The girl grimaced. “At least I’ve got a city, or I’d go snow-mad. Village folk are such skittish, clumsy fawns. Why do you keep going back?”

The older mercenary shook his head. “It’s where I’ve got to go. I haven’t had a lady for years now, and who’s got the coin to hole up in an inn for a whole season? I talk like I want her to pop off, but once she’s gone, I’ll be one of the poor sons of famine who winters with the band.”

“Your mum’s not passing you the house?”

He shook his head. “That’s going to her apprentice, along with all her coin, she’s made clear to me every winter for the past ten years. Anyway, I wouldn’t have any means to keep the place up in the other seasons. Will you get your Mum’s place?”

Dalvin grunted. “I hadn’t thought about it. I expect she’s willed it to me, but I should probably make sure.” Their one-room house and the small garden around it was one of the few things that had always been there, through thin and thinner; that precious wood-and-plaster barrier between starving on the streets and simply starving. Mum had gotten it when her own da died, and it had never been sold, because without it, she could grow no flowers, and without flowers, she wouldn’t have even the slim trickle of income that she did manage. Paying the taxes on the thing had been an annual miracle.

“I don’t know what I’ll do with it,” Grace realized aloud, “once it’s mine. I guess I’ll just sell it.” Once it’s mine. She took a deep breath against the strange stitch in her chest. She didn’t like to think of losing that one thing she’d never lost. She didn’t like to think of losing Mum. “Ah, what am I saying? I’m a soldier of fortune. I’ll die long before she does.” That brought another odd stab with it. Who will look after her, then? Who will bring home coin to stretch through the winter?

“That’s what I thought, too, when I first ran off to join the Yaa army,” Vec was saying, chuckling. “I was, what—fifteen? I figured I’d fall young and handsome in a hail of javelins. And here I am, near on three decades later, marking my kill-count in dozens instead of ones, and I’ve not lost so much as a limb.” He snapped his fingers. “Chance’s Fair Daughter must like me.”

The girl shook her head sadly. “The Fair Daughter has poor taste.”

He smiled sideways. “No poorer than you.”

She smirked. “I’ve never boasted of my taste in anything but weapons, armor, and teachers.”

“Oh, you only want me for my skills, is that it?”

Dalvin swatted his arm, the muscles of it hard as packed earth. “Of course. Winner takes all. And I want to be the winner, so you’ll show me what you know.”

He grinned, reaching up to straighten his headband. “You’re as strong as any youth I’ve known, girlie, and more skillful than most your age. They think they know all they need know, already. You’re always scrabblin’ for more and better; I’ve seen it, even before you turned to me. If you do live, you’ll have a real name.”

“I’ve already got one.” She smiled. “Grace the Mace.”

“It’ll do.” The older merc scratched at his stubble. “Aye; it’ll do, and folk will learn it. You move like a waterfall—the fearful sort. Not that you don’t have plenty room to learn.”

Her smile grew more satisfied. “Aye, sure,” she said to both sentiments. Not knowing how else to take the praise, she fell silent as they began to pass farms and orchards.

*****

After talking about other people and their works for as long as I have, I’m not sure how to say this, but…

It’s mine! That’s the work of Tirzah Duncan, my own self. That’s the from my novella. Here’s the opening.

Another excerpt to follow!

Cover reveal to follow!

Now Available!

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